Friday, 17 March 2023

The EP ‘Thanksgiving’ is an intriguing follow up to ‘Shame’. The songs give her a chance to stretch out stylistically, moving effortlessly between bluegrass, to folk, old-time and country. The bittersweet lyricism she’s become known for conveys the push and pull of hardship and hope we often feel during the holiday season. Raised in Chicago by a radical economist and a social worker, Baiman was surrounded by social justice issues her entire life. “If I wanted to rebel against my parents, I could have become a finance banker or a corporate lawyer”, she says of her childhood. While her classmates went to church or temple on Sunday mornings, Baiman attended the Ethical Humanist Society of Greater Chicago, a non-religious community formed around discussions of morality and current events. “That was always a tough one to explain at school”, she says with a laugh. As a teenager, Baiman found music to be a welcome escape from worrying about global politics. “I often found the constant discussion of seemingly unsolvable problems to be intense and overwhelming, and when I moved to Nashville to pursue music it felt like something positive, beautiful and productive that I could put into the world. Now that I’ve had some years to devote to music,”—Baiman has been recording and touring internationally for the past 4 years with 10 String Symphony, and has played fiddle for numerous other artists including Kacey Musgraves and Winnipeg folk band Oh My Darling